Spring Is for Remembering

Meghan Sterling

Texas Spanish Moss
Sandra Wilcoxon

I’ve swung so hard I nearly hit the mark, the ruby

glint of a pitcher’s left eye, my father’s disappointed

stare. Spring blossoms coming down like so many

baseballs into the cage. How I finally understand

the way it can rain anything. Rain longing, rain memory,

rain sunlight, rain pollen, rain snot, rain blood. Rain

my grandmother’s Chanel No. 5. My Anais Anais was

grounded, would rather hide in the darkest corner of

the house, sitting out of playtime with its dirty thumb.

Every time a ball came at me, I would run away. Maybe

the ball was just a metaphor. Maybe the ball was something

difficult to master. Maybe the ball was unpredictable, like

a stranger’s dog, or the afternoon rain that ruins a walk into

the cemetery. Maybe the ball was the path I didn’t want

to walk down, choosing instead the path littered pink

with paint chips, perfume samples, plum blossoms.

Meghan Sterling (she/her/hers) is a queer/ bi writer and working mother living in Maine whose poetry has been published or is forthcoming in Tahoma Literary Review, the Los Angeles Review, the Colorado Review, Rhino Poetry, Hunger Mountain and many other journals. Her collections are These Few Seeds (Terrapin Books), Self-Portrait with Ghosts of the Diaspora (Harbor Editions), Comfort the Mourners (Everybody Press) and View from a Borrowed Field (Lily Poetry Review’s Paul Nemser Book Prize). You Are Here to Break Apart (Lily Poetry Review Press), came out in April 2025 and Sick Poems from the Lovebed (Harbor Editions) is forthcoming in 2026. Find Meghan on Instagram.

Sandra Wilcoxon started painting in watercolor in 2020, and soon focused on Botanical Art. It is an exciting and challenging art form, depicting and interpreting nature in great detail. She loves texture and discovery and the discipline of daily sketching and practice, and finds it gratifying to see the work grow and evolve as she becomes better at combining paper, paint, pencil and pen to achieve the desired effect. Prior to developing her Botanical series, she worked in mixed media using beads and pearls woven into three-dimensional sculptures and statement jewelry. She’s also done quite a bit of drawing, printmaking and clay work. See more of Sandra’s work at www.skwilcoart.com or on Instagram.