I Want to Write a Funny Poem
About My First Mammogram
Sarah Mills
Sea Portrait I
Julia Biggs
But it stops being amusing when I get the callback. Nine days. Nine days I have to wait for follow-up imaging. Nine days in an oppressive heat wave, the sun burying us under heaps of blazing sand. The long walk down the hall to the radiologist’s office. The beige carpet and blue walls. Benign cyst, he says, the words unclenching like fists. I let him shake my hand. I sit in the parking lot outside the women’s center and call my mom. Everything I’ve been doing feels so stupid. Using my elbow to turn off the faucet. Avoiding the ocean because a wave once wanted to toss me around, give me a thrill. I think about the radiologist sitting in that dark room all day with his three glowing computer screens. I imagine him looking at them softly, like faces. The way you can see faces anywhere when you’re lonely or scared. I am walking toward the ocean, my feet sinking in the sand. My mind keeps taking me back to his office, where we talk about seeing shadows. I ask him if there is a difference between empty and open. I tell him that I wear socks to bed because my feet feel sad without them.
Sarah Mills's poems have appeared in RHINO, Only Poems, trampset, Jet Fuel Review, HAD, Up the Staircase, The Shore, Pithead Chapel, Beaver Mag, Rust & Moth, and elsewhere. Her work has been nominated for Best of the Net, Best Small Fictions, and the Pushcart Prize. She is online at sarahmillswrites.com and on Bluesky.
Julia Biggs is a poet, writer, collage artist and freelance art historian. She lives in Cambridge, UK. Her micro-chapbook ROLES was published by Ghost City Press in 2025, and her work has appeared in Osmosis Press, Ink Sweat & Tears, Streetcake Magazine, RIC Journal and elsewhere. Find her on Bluesky, on X, or via her website.