Made You Look
Lauren Camp
Lullaby
Holly Pelesky
On Sunday I read the book my sister wrote
wanting to see more about our childhood.
I loved those low-cost years.
How together we were with our fights in diners.
Tunnels that sectioned off greetings.
Every day a thousand feelings
about living. I wanted the pages
to help me lure back some facts
but she reversed time reversal so quickly
already we were on to the baby.
And after that swaddled
a next. And a man
at her side and then some unsizable
emptiness. We were ahead of that soon.
I wanted to count back to zero.
Do it all over,
even the bad matters.
She is far away now; now
she is in Ohio. She has moved her couches
and punched tin statements to Cleveland
because she loves someone.
In the book, no one is named.
It’s a long way to the end of any book.
You don’t know what comes after that.
So many particulars she has written removed.
I keep thinking, I’d like to lie in the unmowed grass, slap
back the back door, take a fistful of stairs.
It seemed like all the time I was heading
up to my room. The querying energy
may have only been my fingers in my dark.
I miss all of it. It was my favorite
childhood and isn’t that just something.
Earlier today, I walked the forest here
past slugs and snags and God
in trees that I cannot judge as good or wrong.
I took endless curving pathways, felt rain. No way
to know where I was going.
She didn’t save me. I did that myself.
Adam Gianforcaro is the author of the chapbook Poems to Stage Dive to (Stanchion Books, 2026) and full-length collection Every Living Day (Thirty West, 2023). A Pushcart Prize and Best of the Net nominee, his work can be found in The Offing, The Harvard Advocate, Ninth Letter, and elsewhere. Find Adam on Instagram and BlueSky.
Thad DeVassie is a writer and artist/painter from Ohio. He is the author three chapbooks and was awarded the James Tate Poetry Prize (SurVision Books). His work has been nominated for the Pushcart Prize, Best of the Net, Best Microfiction, and appears in Best Small Fictions 2025. His artwork has appeared in galleries, private collections, and more recently in literary journals including Salt Hill, Phoebe, Bat City Review, The Dodge, and New Ohio Review. Find more of his creative output at www.thaddevassie.com.