On Good Friday, Grief Tries to Convince Me He is Holy
Jill Crammond
mapping the dark
Robin Turner
Today, on the anniversary of Jesus’ last meal
with lovers who lied, I remember another
misery—the festival of my failed marriage.
From the head of the breakfast table, Grief shakes
his head, says, How did you not know?
Grief, who has been living with me since
the end, turns the morning paper my way,
allows me to read: Twenty-seven years ago
today, a rare double Super Nova was observed
in the galaxy. One Nova—Latin for new—
was blue. The other cataclysmic explosion,
reddish-yellow. Total opposites. Scientists
say they were a close pair. In this way, I learn
the universe sometimes conspires. I haven’t
slipped into a church since my wedding, but sadness
and coincidence have left me hungry. Something more
than crumbs of fake bread, thimbles of I’m so lonely
wine. I still have questions. Who really gets filled
on their best friend’s body and blood alone?
Did any church ever think to save its crumbs
for the birds? How good is a Friday married
to empty calories? I’ve been working on this sermon
for so long. Not acceptance, exactly, but a gathering
of hungry pigeons, the gradual opening
of the bread bag, the slow untying of the red wire
keeping everything fresh. The realization
that I can eat the heel, or throw the whole mess
in the trash. Always with the last word, Grief says
I was making it up all along. How instead
of a headstone, my children are my final resting place.
Jill Crammond (she/her) is the author of the chapbook, Handbook for Unwell Mothers, (Finishing Line Press 2023). Her poems appear or are forthcoming in SHAME/less Anthology, Made from Midnight: Delirium (Poets in the Pines Press), Mom Egg Review, Bending Genres, Sheila-Na-Gig, Slipstream and others. Twice nominated for a Pushcart Prize, her poems recently appeared as part of Poem Village, a community program celebrating local poetry in the Adirondacks of NYS. She teaches art and preschool at a nature-based school in upstate NY. Find Jill on Facebook, Instagram, and Substack.
Robin Turner makes poems and other poem-like things in Dallas, Texas. Her work has most recently appeared in Does It Have Pockets, Heron Tree, Unlost, Anacapa Review, Pithead Chapel, Rattle, Rust & Moth, and The Texas Observer. She is the author of two chapbooks: bindweed & crow poison (Porkbelly Press) and Elegy with Clouds & (Kelsay Books). A longtime community teaching artist, she currently works with writers from the Cancer Support Community of North Texas. Find Robin on Facebook, Instagram, and BlueSky.