On my forty-ninth birthday, my dad calls me a fledgling,
Jane Zwart
Fine Lines of the In-Between
Thad DeVassie
and I set a miniature nest on a glove. I’m trying
to be vulnerable. I’m trying to trust the cupped hand
of God.
So here it is: before I was a fledgling,
I was a ward, and my ward was my brother—
the small one, the one whose organs didn’t glow
on oncologists’ screens. Yes, I’m trying trust,
but also I’m trying to doubt my memory
because, in every kitchen it can conjure,
Luke and I are daguerreotypes, slight
and slightly blurred, always standing
with a lightswitch at our backs, just inside the door;
because in my version of the past, impossible things:
trains pull up to porches every time
we set suitcases down.
. . .
The truth is I have no idea who saw us off
when our parents loaned us to the unfamiliar mercies
of other families. I don’t remember when I thought:
Now we’re like the Boxcar Children.
Now we’re the Pevensies’ kin. But when
is beside the point.
The point is
I knew that when your guardians go—
sick or shipwrecked or called to a front too dangerous
for you to follow—you learn to scrimp.
That’s how you stay a penny ahead
of defaulting on your welcome.
. . .
Of course I knew, even then, that our parents
didn't want to leave us, that they were desperate,
and of course I knew that I couldn’t rest
and that I’d have to carry Luke everywhere, unable to rest him
on the hips I didn’t have. When your guardians go,
you trim all the fat from yearning. You court tolerance,
not love. And if I wasn't a natural, I still had it in me:
ingratiating feats and bland moods.
. . .
Before I was a fledging, I was furious, and I was cruel
to my brother, the one that would grow up,
because he would grow up
and because what a small us we made.
. . .
On my forty-ninth birthday, my dad calls me a fledgling,
and I go looking for the boy I could not let out of my sight.
And say I find him. I will not ask for his tolerance.
I’ll ask for forgiveness. Or say we find
each other
I will tell him: when our parents
followed our brother into his danger,
I'm sorry, yours was the available half
of a love I didn’t know how to hold.
Jane Zwart teaches at Calvin University and co-edits book reviews for Plume. Her poems have appeared in Poetry, Ploughshares, The Southern Review, Threepenny Review, and The Nation. Her first collection, Oddest & Oldest & Saddest & Best, came out with Orison Books in February 2026. Find Jane on Facebook, Instagram, and BlueSky.
Thad DeVassie is a writer and artist/painter from Ohio. He is the author three chapbooks and was awarded the James Tate Poetry Prize (SurVision Books). His work has been nominated for the Pushcart Prize, Best of the Net, Best Microfiction, and appears in Best Small Fictions 2025. His artwork has appeared in galleries, private collections, and more recently in literary journals including Salt Hill, Phoebe, Bat City Review, The Dodge, and New Ohio Review. Find more of his creative output at www.thaddevassie.com